One of eight artists, along with Gabrielle Collins, Viola Dominello, Ashley Frost, Michelle Hungerford, Angus Nivison, Elouise Roberts and Ana Young responding to the rich history of the artist camps.
“Hadyn Wilson’s large scale installation of appropriated images is a tour de force. It invites close inspection as each painting presents a revisionist expression based on original masterpieces of the time, in a comment on the era’s fabled histories and the reliable and unreliable narratives that surround them.”
Katrina Cashman, Senior Curator
Mosman Art Gallery
“Although my installation of faintly ‘unreliable histories’ is based on a genuine archive, it is essentially a homage to these extraordinarily talented artists and what was a truly unique and inspiring period in Australian art”.